suicideblonde:

Alberto Vargas (1931)

(via ll4eve808)

deadpaint:

John William Waterhouse, Sketch for a Mermaid

(via fra-sjo)

quatemases:

Gustav Klimt, Medizin (Medicine)

1897

Concept of the original work that was destroyed in 1945 during WWII

(via littlegrimm)

23silence:

Giulio Aristide Sartorio - Green Abyss, 1862

(via for-redheads)

Franz von Bayros, Inferno (1921)

(via rolandscapes)

Adolf Hirémy-Hirschl, Ahasuerus at the End of the World, 1888

(Source: gaglioffo, via sbire)

poboh:

Mary Magdalene in the Cave, 1868, Hugues Merle. French (1823 - 1881)

(via preraphaeliteoftheforest)

Talbot Hughes - Echo (detail), 1900

(via houseofsighs)

colonialgoods:

Isamu Noguchi

(via daydreamwaves)

historical-paintings:

Edward Hughes (1832-1908) - The Fairy Artwork

(via daydreamwaves)

deadpaint:

John Singer Sargent, Carnation Lily,Lily Rose

(Source: weepling, via daydreamwaves)

monsieurleprince:

Friedrich von Amerling (1803-1887) - A Girl Reading

(via ssion1984)

ssion1984:

The Three Graces from Botticelli’s Primavera

(Source: honeyspider)

rolandscapes:

Patience  John Spencer Stanhope

caravaggista:

Caravaggio, Mary Magdalen in Ecstasy, 1606

The Mary Magdalene is a stark image of exile, of anguish, and guilt … Caravaggio had killed a man, and come close to death himself, and the first instinct of a Catholic was to make an act of contrition. His Magdalene  is the sinner who spent many years in solitary penitence; she conveys the sense of desolation and abandonment that is part of the mystical experience; and the divine light creates a dazzling darkness. — Helen Langdon

(via stevens-cat)