“In such ugly times, the only true protest is beauty."
- Phil Ochs
Install Theme
dirtyscarab:

Yuji MoriguchiSummer sky

So much water-related art on my dashboard today, it’s tricky to decide if I should reblog onto my main blog or Water-Inspired.

dirtyscarab:

Yuji Moriguchi
Summer sky

So much water-related art on my dashboard today, it’s tricky to decide if I should reblog onto my main blog or Water-Inspired.

(via tooinvolved)

fer1972:

Rock Concert Posters by Chelsey Curtin

(via taliasbuttons)

wasbella102:

"Tasha Lewis has started a global street art project where she will create 4,000 magnetic butterflies and then send them in packs of 400 to 10 groups around the world. In total, the swarms of butterflies will travel to 100 different homes, hopefully landing in all seven continents."

wasbella102:

"Tasha Lewis has started a global street art project where she will create 4,000 magnetic butterflies and then send them in packs of 400 to 10 groups around the world. In total, the swarms of butterflies will travel to 100 different homes, hopefully landing in all seven continents."

(via mimsy18)

artbeautypaintings:

 Froschkönig - Leopold Schmutzler

artbeautypaintings:

 Froschkönig - Leopold Schmutzler

(via themysticfool)

artesens:

Your Point Of View
Nicolas Gracey

artesens:

Your Point Of View

Nicolas Gracey

(Source: behance.net, via hermosanikita)

arstekne:

Apollo and Daphne (1622-25) by Gianlorenzo Bernini

(via nataliakoptseva)

pixography:

Salvador Dali ~ “Masochistic Instrument”, 1934
All his life, Dali suggested he was impotent, that his greatest pleasure of the sexual kind was gained from voyeurism and masturbation. Here the “instrument” – a violin metaphor for erectile dysfunction, or at least performance anxiety – is limp and useless, and almost takes on the appearance of a face in distress. The naked woman, who we see as if we’re peeping into the neighbor’s bedroom window, holds the soft object guardedly, as if not wanting to touch much of it, if she can help it.
Contrast the left section of the canvas with phallic images of virility at right: the tall, proud and erect cypress tree, and the rigid, pink-tipped appendage emerging from it. Dali’s preoccupation with his own sexual identity, his own desires and fears within the sexual realm, seem clearly symbolized in this surrealist picture signed in deflowering red. <source>

pixography:

Salvador Dali ~ “Masochistic Instrument”, 1934

All his life, Dali suggested he was impotent, that his greatest pleasure of the sexual kind was gained from voyeurism and masturbation. Here the “instrument” – a violin metaphor for erectile dysfunction, or at least performance anxiety – is limp and useless, and almost takes on the appearance of a face in distress. The naked woman, who we see as if we’re peeping into the neighbor’s bedroom window, holds the soft object guardedly, as if not wanting to touch much of it, if she can help it.

Contrast the left section of the canvas with phallic images of virility at right: the tall, proud and erect cypress tree, and the rigid, pink-tipped appendage emerging from it. Dali’s preoccupation with his own sexual identity, his own desires and fears within the sexual realm, seem clearly symbolized in this surrealist picture signed in deflowering red. <source>

(via nataliakoptseva)

kleinecharlotte:

Art History Meme [4/6] Themes or Series or Subjects
↳ Redheads

(via housedoe)

fleurdulys:

A Family Party, Triana, Sevilla - Francis Luis Mora
1908

fleurdulys:

A Family Party, Triana, Sevilla - Francis Luis Mora

1908

theopaldreamcave:

Mermaid at Hampton Court (by ukjohn)

theopaldreamcave:

Mermaid at Hampton Court (by ukjohn)

(via donovanslittlewhiteflower)

abystle:

Eternal Smile, Ilyas Phaizulline, 2012.

abystle:

Eternal Smile, Ilyas Phaizulline, 2012.

23silence:

Chimere - George Jules Victor Clairin

23silence:

Chimere - George Jules Victor Clairin

butterflieswhispertodeath:

Charles Santore’s illustration for The Little Mermaid
Source

butterflieswhispertodeath:

Charles Santore’s illustration for The Little Mermaid

Source

(via 0therworld)

templeofapelles:

#24 THE GREATEST PAINTINGS
Akseli Gallen-Kallela  Lemminkäisen äiti (Lemminkäinen’s mother), 1897  Tempera  Ateneum, Helsinki

templeofapelles:

#24 THE GREATEST PAINTINGS

Akseli Gallen-Kallela
Lemminkäisen äiti (Lemminkäinen’s mother), 1897 
Tempera
Ateneum, Helsinki

(via dying-is-an-art-im-doin-it-well)