“In such ugly times, the only true protest is beauty."
- Phil Ochs
Install Theme

quatrocentosgolpes:

The Lady from Shanghai (1947) - Orson Welles

(via b-eaux)

Gene Tierney and Tyrone Power in The Razor’s Edge (1946)

(Source: haroldlloyds)

satnin:

Hedy Lamarr, 1942.

satnin:

Hedy Lamarr, 1942.


Hedy Lamarr photographed by Eliot Elisofan in Los Angeles, 1946

Hedy Lamarr photographed by Eliot Elisofan in Los Angeles, 1946

(Source: jeannecrains)

marypickfords:

Gene Tierney in Leave Her to Heaven (1945)

marypickfords:

Gene Tierney in Leave Her to Heaven (1945)

hyperb0rean:

Nina Leen for LIFE Magazine, 1949

(via baedekersandbeasties)

(Source: bunnyhepburn, via bunnyhepburn)

Hedy Lamarr in Ziegfeld Girl (1941)

(Source: yocalio)

(Source: gloriaswanson)

Gene Tierney in Thunder Birds (1942)

(Source: haroldlloyds)

Gene Tierney in Leave Her to Heaven (1945).

Gene Tierney in Leave Her to Heaven (1945).

(Source: deneuveing)

first and last shot of Gene Tierney in "Leave Her To Heaven" (1945)

(Source: missmarlenedietrich)

free-parking:

Salvador Dalí — The Eye of Time, 1949, platinum, rubies, and diamonds

free-parking:

Salvador Dalí — The Eye of Time, 1949, platinum, rubies, and diamonds

(via seconddoorontheright)

Hedy Lamarr

Hedy Lamarr

(Source: hedylamarr)

Gene Tierney in Laura (1944).

(Source: cliftonwebb, via dollsofthe1960s)